The Greene Poetry Collection was created with a gift from Leah and Sheldon Greene, as a tribute to Leah’s passion for poetry, discovered during post-retirement coursework at Widener. During this time, Dr. Kenneth Pobo served as a creative mentor to Mrs. Greene. Ken helps to build the collection with yearly recommendations.
Mary Oliver has been writing poetry for nearly five decades, and in that time she has become America's foremost poetic voice on our experience of the physical world. This collection presents forty-seven new poems, all written within the last two years, and each exhibiting the power and grace that have become the hallmarks of Oliver's work. The volume includes poems on crickets, toads, trout lilies, black snakes, goldenrod, bears, greeting the morning, watching the deer and, finally, lingering in happiness. Each poem is imbued with the extraordinary perceptions of a poet who considers the everyday in our lives and the natural world around us and finds a multitude of reasons to marvel. On the eve of the publication of her third volume of poems, Twelve Moons, Archibald MacLeish wrote to Mary Oliver: "You have indeed entered the kingdom. You have done something better than create your own world: you have discovered the world we all live in and do not see and cannot feel." In the twenty-five years since, Mary Oliver has published nine more volumes of poetry, each revealing new aspects of our world, inviting us to pause with her and to see and feel them. In this new volume she demonstrates, perhaps more affectionately than ever before, "what it means to be human and what is worthwhile about life,"* or, more simply, why the poet wakes early. (*Library Journal)
In the citation accompanying Kay's recent award of the prestigious Ruth Lilly Prize, Christine Wiman wrote: "Kay Ryan can take any subject and make it her own. Her poems-which combine extreme concision and formal expertise with broad subjects and deep feeling-could never be mistaken for anyone else's. Her work has the kind of singularity and sustained integrity that are very, very rare.... It's always a dicey business predicting the literary future...[but] for this reader, these poemsfeel as if there were built to last, and...they have the passion, precision and sheer weirdness to do so." Salon compared the poems in Ryan's last collection to "Fabergé eggs, tiny, ingenious devices that inevitably conceal some hidden wonder." The exquisite poems in The Niagara River provide similarly hidden gems. Bafflingly effective, they seem too brief and blithe to pack so much wallop. Intense and relaxed at once, both buoyant and rueful, their singular music appeals to many people. Her poems, products of an immaculately off-kilter mind, have been featured everywhere from the Sunday funnies to New York subways to plaques at the zoo to the pages of The New Yorker.
One of the New York Public Library's 25 "Books to Remember" in 1997 Lux comments on the absurd, the pathetic, and the commonplace in our culture, writing with compassion as well as satire. He is "singular among his peers in his ability to convey with a deceptive lightness the paradoxes of human emotion," says Publishers Weekly, and Robert Hass, in the Washington Post Book World, takes special note of Lux's "bitter wit, the kind of irony that comes with a quick, impatient intelligence."
"Harryette Mullen is a magician of words, phrases, and songs . . . No voice in contemporary poetry is quite as original, cosmopolitan, witty, and tragic." --Susan Stewart, citation for the Academy of American Poets Fellowship Urban tumbleweed, some people call it, discarded plastic bag we see in every city blown down the street with vagrant wind. --fromUrban Tumbleweed Urban Tumbleweed is the poet Harryette Mullen's exploration of spaces where the city and the natural world collide. Written out of a daily practice of walking, Mullen's stanzas adapt the traditional Japanese tanka, a poetic form suited for recording fleeting impressions, describing environmental transitions, and contemplating the human being's place in the natural world. But, as she writes in her preface, "What is natural about being human? What to make of a city dweller taking a 'nature walk' in a publicpark while listening to a podcast with ear-bud headphones?"
Juan Felipe Herrera, the first Mexican-American Poet Laureate in the USA, is sharing secrets: how to turn your wonder at the world around you into weird, wild, incandescent poetry. Can you walk and talk at the same time? How about Jabberwalk? Can you write and draw and walk and journal all at the same time? If not, you're in luck: exuberant, blue-cheesy cilantro man Juan Felipe Herrera, Poet Laureate of the United States, is here to teach you everything he knows about being a real-life, bonified, Jabberwalking poet! Jabberwalkers write and speak for themselves and others no matter where their feet may take them -- to Jabberwalk is to be a poet on the move. And there's no stopping once you're a Jabberwalker, writing fast, fast, fast, scribble-poem-burbles-on-the-run. Scribble what you see! Scribble what you hear! It's all out there -- vámonos!
"[Boland is] an original, dazzlingly gifted writer.... Uncompromising intellect, wry perception, and verbal brilliance.... A wonderfully elegant and sensual writer, keenly attuned to the pleasures of form and sound.... She's as musically gifted and as uncompromisingly intelligent as Seamus Heaney, and deserves comparable attention." --David Walker, Field
This newly assembled volume draws from two books that were originally published in Galway Kinnell's first two decades of writing, WHAT A KINGDOM IT WAS (1960), which included the poem "The Avenue Bearing the Initial of Christ into the New World," and FLOWER HERDING ON MOUNT MONADNOCK (1964).Kinnell has revised some of the work in this new edition, and comments on his working method in a prefatory note.
A luscious, vibrant, and wicked anthology featuring poetry by Cheryl Boyce-Taylor, Regie Cabico, Staceyann Chin, Celena Glenn, Daphne Gottlieb, Maurice Jamal, Shane Luitjens, Marty McConnell, Travis Montez, Alix Olson, Shailja Patel, and Horehound Stillpoint.
Female spoken word artists have become the spokeswomen for a new generation. This demanding oral poetry of the early 21st century has defined a vanguard of lithely muscled voices; women who think and act decisively to create their distinctive and desperately earned realities. The combination of the eminent slam movement and the upsurge of bold underground feminism has created a unique pool of women who verbally challenge society on all fronts.Editor Alix Olson (internationally touring spoken word artist-activist) brought together a variety of astounding spoken word artists for Word Warriors. Included in this collection are Patricia Smith and Eileen Myles, two of our most formidable spoken-word foremothers, Tony-award winners Sarah Jones, Suheir Hammad and Staceyann Chin, recording artists Bitch and Lynn Breedlove from the dyke-punk band Tribe 8, award-winning writer Michelle Tea, and many more. These women join other amazing artists from many different backgrounds to create Word Warriors, a powerful and comprehensive collection of work from the best and brightest female spoken word artists today.
Translating the beauty and splendor of his native Conamara into a language exquisitely attuned to the wonder of the everyday, John O'Donohue takes us on a moving journey through real and imagined worlds. Divided into three parts -- Approachings, Encounters, and Distances -- Conamara Blues at once reawakens a sense of intimacy with the natural world and a feeling of wonder at the mystery of our relationship to this world. Whether exploring the silent, eternal memory of Conamara or focusing on the power of language and the vagaries of human need and passion, O'Donohue tenderly reveals the fragile vulnerability of love and friendship. The result is a musical, transcendent, and deeply moving series of poems that exemplifies O'Donohue at his finest. Written with penetrating insight and distilled transparence, Conamara Blues offers a singular and lasting imaginative vision of a landscape of hope and possibility -- powerfully exhibiting the mastery of a poet at the height of his lyric powers.
